Discovering forms in the darkness. An abandoned industrial estate on the Junk Bay seafront, illumination measured in milliseconds. Photographing half-blind, waiting eagerly for fleeting reconstructions of previously unseen reality to disclose themselves in poetic forms as the film develops. Pushing the envelope on the contrast curves of harmony versus discord, nature versus technology, organic growth versus constructed development and fragile versus unbreakable, in order to find serenity in mutually resemblant organic forms of both human and non-human cause.